Musicians Kenneth Gamble, left, Leon Huff, center, and Thom Bell stand together at Gamble and Huff Music, on Broad Street, in Philadelphia, on Thurs-day, May 30, 2013. Bell, the Grammy-winning producer, writer and arranger who helped perfect the “Sound of Philadelphia” of the 1970s with the in-ventive, orchestral settings of such hits as the Spinners’ “I’ll Be Around” and the Stylistics’ “Betcha by Golly, Wow,” has died at age 79.

PHILADELPHIA—Thomas Randolph Bell was an undeniable force behind the lasting power of the “Sound of Philadelphia,” Philadelphia Soul. His signature arranging, songwriting, and production style brought immense success to iconic groups like William Hart and The Delfonics, The Stylistics, and The Spinners—whose music continues to captivate generations around the globe today. Recognition for his artistic achievements overflowed in 2006 with an induction into the Songwriters Hall of Fame, followed by the Musicians Hall Of Fame a decade later— solidifying his place as one of most renowned figures in musical history.

Many mourned his passing in Washington state on December 22, 2022, as his legacy carries onward. He was 79 years old.

An accomplished musician with a classical background, Mr. Bell began his career in soul music under Cameo Records of Philadelphia. He encountered William Hart and The Delfonics and ushered in their iconic sound through two singles on Moonglow. His outstanding production ability resulted in significant successes for the band, such as “La- La (Means I Love You)” and “Didn’t I (Blow Your Mind This Time),” which even earned them a Grammy nomination.

Mr. Bell’s musical prowess was instrumental in the success of Gamble & Huff’s record production company, where he arranged for top acts like Jerry Butler and The O’Jays. His arrangements garnered recognition with many hits, including “Back Stabbers,” from Philadelphia International Records launched in 1971. Mr. Bell later united forces with his colleagues to create Mighty Three Music, a music publishing business made possible by their collective talents.


Nation of Islam member Abdul Wahid Muhammad (Wilbert Hart), formally of the iconic musical group The Delfonics, fondly remembers Mr. Bell as an exceedingly dedicated and skillful producer who always stayed true to his artistic vision. During an interview with The Final Call, he characterized Bell as a straightforward, no-nonsense individual. 

“When we first encountered Thom, he was employed by Cameo-Parkway Records. Our manager introduced us to him at the time, and we were starting in our respective fields. Thankfully for us, Tommy had a unique style that showed us how to properly produce recordings—his rehearsals before every session ingrained discipline into them with everyone hitting all the right cues while nailing their notes,” he recalled.

“He provided invaluable instruction, introducing us to the intricacies of production and construction.  With little familiarity in the studio realm, he then began suggesting inventive orchestration techniques, such as the use of kettle drums that had not been heard before on our first record, ‘He Don’t Really Love You.’ In ‘La-La (Means I Love You),’ he introduced strings. His teaching approach was firm yet effective; accuracy was imperative for him throughout this process. He truly embodied a professional teacher’s sternness— it wasn’t just any way; it had to be done correctly! On a personal side, he always looked out for me,” Mr. Muhammad said.

Alfie Pollitt, a world-renowned Philadelphia jazz musician, fondly remembered that Kenny Gamble featured Mr. Bell in an early singing group as one of the star performers.

“I had the pleasure of meeting Tommy Bell in my hometown, Wayne, Pa., as children,” he told The Final Call. “He is rightly revered as a musical genius and pioneer arranger, possessing an extraordinary skill for creating original music that was transcribed due to its complexity,” Mr. Pollitt explained.

He went on to tell the story about Earl Young from The Tramps, who was determined to play on one of these recording sessions—he needed to master reading drums if his aspirations were ever going to be met.  Reading notation allowed him (and others) to choreograph with the goal established by Tommy himself: perfect replication without any improvisation required.

“As a talented teen, I believe Tommy honed his musical skills at West Philadelphia High School. Early in the 1960s, he was a part of Kenny Gamble and the Romeos alongside Roland Chambers, Karl Chambers & Winnie Walford. This incredible ensemble inspired Tommy’s music production career early,” Mr. Pollitt said.

In a candid interview with The Final Call, Kenny Gamble (Luqman Abdul Haqq) reminisced about his close friend Thom Bell—one-third of the Mighty Three songwriting dynasty that revolutionized music production in Philadelphia, including Leon Huff.

Mr. Gamble highlighted the source of their collaborative success: long-standing friendship. As veteran members of Kenny Gamble & The Romeos, they formed a powerful bond that proved invaluable in driving musical synergy and creativity.

“Thom Bell was a wonderful person and an incredible musician whose talent revolutionized the music scene. He had a great gift for arranging and composing, evident in his work with bands like The Stylistics, songwriter William Hart, and the Delfonics, amongst many others who together ushered in what would become known as ‘The Sound of Philadelphia.’ An era that continues to influence music across all corners of the globe today,” Mr. Gamble said.

“On an afternoon stroll escorting Barbra—Thom’s sister—home from school, I was immediately captivated by the piano melodies emanating from her house. On inquiring who could play so beautifully, she informed me it was her brother Tommy. Curiosity piqued, and excitement abounded as we ventured upstairs, after which, in just a single day, we wrote three songs together!” he reminisced.

“For 62 years and counting, Philadelphia has been known for its signature sound. Thom Bell was a key figure in this legacy; his influence can be heard through The Spinners and their hit song ‘Love Don’t Love Nobody’,” Mr. Gamble noted.

“I had worked with Tommy in the past, but when I joined forces with Huff, it felt like something extraordinary was unfolding. We immediately clicked and knew our passion lies in songwriting; we were meant to collaborate! Our joint venture as The Romeos served as a launching pad for us all—paving the way for our career advancement, alongside helping boost Tommy’s talents in arranging music,” Mr. Gamble concluded.

Gamble, Huff & Bell have achieved excellence in the music industry for decades. With a total of 93 BMI Awards among them and four Songwriter of the Year titles awarded to Gamble, it is no wonder that all three were inducted into the esteemed Songwriters Hall of Fame—with both Gamble and Huff going on to receive Icon Awards from BMI as well. The trio’s record label Philadelphia International Records (PIR), featured more than 120 albums, which included several worldwide hit singles such as “Me and Mrs. Jones,” “For The Love Of Money,” “When Will I See You Again,” and “If You Don’t Know Me By Now.”